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| ozone, novelists, x box, spike magazine, producer, fatmanscoop, jon de vries, government, medicine articles, roland joffé, fort walton beach, literary, praire home companion, originalstarters, fiction, 2003, result, biggest name in music for multimedia, | I, on the other hand, was an American even more, a Californian. And while Yehudi may now be Lord Yehudi, marital aids and Lord and Master over there in London, I will tell you what I think of monarchy. Monarchy is a ridiculous concept, even if the monarchs happen to be rare and unusual people which, of course, they almost never are". To his credit, Rolfe does not latch onto and play up his famed family past and name, but deserves marital aids credit as a writer in his own marital aids right whose finger is very much on the pulse of contemporary American culture and society. Rolfe writes what he sees, not what people want him to see or tell him to write. Sure enough, this inevitably leads him into conflicts and confrontations, but this sense of danger is precisely what fuels his writings. From an early age, Rolfe has had an interest in class struggle and worked for his first underground newspaper in the 60s, where he was attracted to the fervent atmosphere of communism and social activism (he now refers to himself as a democratic socialist). |
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| The political "underground" is fatmanscoop naturally a dark, unknown and neglected abode, but Rolfe is a master of telling those intriguing stories that only a writer living in the underground fatmanscoop could discover. What, for instance, was the true nature of the conspiracy behind the assassination of Robert Kennedy? Was Rolfe talking with the murderer hours before the American President was gunned-down? Fat Man On The Left also offers a highly personal insight into the dynamics of the fatmanscoop distinguished musical Menuhin family. Rolfe provides a fascinating account of his Jewish roots (the Menuhin's are descended from Russian Jews) and the strained relation he had with his Uncle Yehudi, the celebrated violinist, who succeeded in excluding him from his grandmother's will for, among other reasons, having no 'class'. Commenting on a letter from Yehudi Menuhin, Rolfe erupts in a characteristically entertaining manner: "Yehudi is right. I don't have class. He might have been born in New York and emerged as a prodigy violinist out of the pioneer West at the beginning of this century, but his letter showed me what an Edwardian aristocrat he had become. |
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