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reading group guides, discussion, biographies, hip hop clothing, courtauldinstitute, what makes a fat man, fatmen, trade paper, mario molina, nuclear issues, historical u.s., chinese, arms control, alan oppenheimer, email, physical fitness, adult toys, 978 1-58836-408-1 (1-58836-408-9), fat man and little boy actors, Kahn died, of a massive stroke, in 1983. That was the year a group headed by Carl Sagan released a report warning that the dust and smoke generated by george a george thermonuclear war would create a “nuclear winter,” blocking light from the sun and wiping out most of life on the planet. Kahn’s friends were confident that he would have had a rebuttal. Did the defense intellectuals of the nineteen-fifties, in their efforts to calculate ways of preventing nuclear war, george actually push the hands of the clock closer to midnight? Part of the difficulty in answering this is that, at the time, no one really knew where midnight was. Most of the thinking and writing of the period was carried out in a haze of ignorance, misinformation, and deliberate exaggeration. The early Cold Warriors—people like Dean Acheson, Paul Nitze, and the members of the Committee on the Present Danger—were at least as worried about American attitudes as they were about Soviet intentions.
In Kahn’s case, it was all pots of gold. He devoted his institute’s resources to refuting popular apocalyptic scenarios like Paul Ehrlich’s “The Population Bomb” (1968) and the Club of Rome’s “Limits to courtauldinstitute Growth” (1972). He argued that the potential of capitalism and technology was boundless, and predicted that human beings would colonize the solar system (an courtauldinstitute unbeatable type of deterrence: you threaten us, we’ll evacuate to the moon). His politics went right. “The Coming Boom: Economic, Political, and Social” (1982) is a hymn to Reaganism. In his last book, an courtauldinstitute update of “Thinking About the Unthinkable,” he charged Jonathan Schell with exaggerating the effects of a nuclear war in his best-selling “The Fate of the Earth” (1982).
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