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| bomb shelter, pvc, political process leadership, 0571116191, metabolism, project bar b-q, niels bohr, media studies, garrison keillor, new gaming information, biographies, reprint ed., geocaching, | And on the other hand, even though it's a huge challenge, it's absolutely nothing compared to any business that's older than us (50 years). There's a chapter in the book where I compare game audio to military. Look, nobody in game audio has ever died. So how grizzled a community could we be? How many dues have we paid? Nothing. Compare that to the soviet writers military, and go up to them and say, "You know, what I do is really important." They're gonna start soviet writers laughing at soviet writers us. If you want a real laugh, you keep going; "You know, I'd be able to do my job better if people would leave me alone." Any one of our complaints as game audio guys sound incredibly lame compared to an actual established career. So we like to compare ourselves to the movies, and pick on the few things that we think they have better than us: Oh, people view them as legitimate. |
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| So we're making paintings with colored sand and giving them to the viewer in a jar, and the viewer is known to be a shaker. So Michael said you can't do it. Now I think that that is a little bit like someone who had only seen a painting and reprint ed. says it is impossible for reprint ed. someone to create a painting that interacts with how the user views it. Someday someone's going to show up with the world's first music sculpture. And people are going to say, "Ohhhhhh, I get it!" And no matter what the user does, you can reprint ed. do all kinds of things with a different piece, and no matter what it's always effective. So even though it's a very tiny thing, audio for games, it's still a gigantic challenge. We don't have a tool to do what we want to do. There is no anvil, and we're all blacksmiths ruining our hands, banging them up and burning ‘em trying to make a decent horseshoe (laughs). |
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