Scott Storch provided a chicago's bluesfest memoir

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atomic bombings of hiroshima and nagasaki, digital, pc game news, healthcare news, fat man, digital library, soul/reggae/rhythm & blues, $24.95)., miscellaneous tv commentary, audio, living skeletons, force, video, steppenwolf, george sanger, vintage authors carey, peter, self help, three fat men, turkish baths, george "fat man" sanger, nuclear age, memoir, The chorus is catchy, and the beat is just infectious and sick!! A+ We Run This-Produced by Rhemario "Rio Beats" Webber and containing elements of "Apahce" as performed by the Sugarhill chicago's bluesfest Gang, this party joint is the third single off the release. While I support Missy because she's one of my favorite artists, I don't see chicago's bluesfest this song really making any ends on radio. It's relatively chicago's bluesfest lame, and it may would've worked in her early career, but it's too bubblegummish. It works as a CD track, but it probably won't work as a single. The sample is familiar which gives the song some edge, but overall, I don't like the song. B- Can't Stop-Produced by Rich Harrison, here Missy meets Amerie as she tries out the go-go beats producer (Jennifer Lopez's Get Right, Beyonce's Crazy Love and Amerie's One Thing). The song fits Missy's style and flow even if it's nasty, but the listener can't help but hear the other songs that are similar to this one that it's hard to disconnect.
Scott Storch provided a hot memoir throwback meets the 21st century kind of beat to it. I also like the references to a couple of musical couples (Janet & JD and Beyonce & JayZ). It could've worked as a single if not for the provocative lyrical content. A+ Click Clack-Produced by Shandrae "Mr Bangladesh" Crawford (Ciara), this is Missy meets hard-core rap. It reminds memoir me of something that Three Six Mafia or Dem Franchize Boys or even the memoir Stiletto Pumps groups would do. However, it's good to see Missy showing that she can sing this hardcore music although she brings her craziness even to this song. B On & On-Produced by The Neptunes and containing elements of "The Show," I am perplexed as to why this fresh, innovative, futuristic-sounding cut was never released as a single. Of all the cuts, this is one of the most commercial songs that could have really made some ends on radio. I knew it would never be a single once it was featured at the end of the Lost Control video. The flow is tight.
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