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| sushi, poem, stars, tips, success, turntable cases, biography & autobiography, jon de vries, fiction general, bonnie bedelia, a bomb, newspaper, roots, feature film drama, bondage, howto, surf music, realaudio, alamogordo, | He believes that Oppenheimer was no Faust and Groves no Mephistopheles. Each had a job to do in the interests o'reilly network of their country and each did it fiercely. Each, in his way, was a patriot. But Groves, as a military man, simply saw the Atomic Bomb o'reilly network as a way to end the o'reilly network war and a way to give his country the biggest stick in the playground. Oppenheimer, on the other hand, was torn. He was a man of peace, who probably believed that if we didn't get the bomb first, the Germans would. He was also a nuclear scientists and a human being who couldn't resist the temptation to take his life's work to its logical conclusion. The title, "Fat Man And Little Boy", refers not to Groves and Oppenheimer as some have mistakenly assumed, but rather to the nicknames given to the first two types of devices produced as a result of the Manhattan Project. |
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| According to Dwight Schultz, Joffe brought actors and real scientists (who played supporting roles) together like "protons, electrons and neutrons" in this remote location. They couldn't help but mix and feed each bondage other in ways that created and contributed to an atmosphere of authenticity. Joffe, his co-screenwriter Bruce Robinson and producer Tony Garnett, chose to focus on the human rather bondage than the technological elements of the story. They saw General Leslie R. Groves (Paul Newman), who headed the military side bondage of the Manhattan Project, as representative of America's muscle, a man of war, even, as Joffe said, an "intellectual thug." They saw J. Robert Oppenheimer (Dwight Schultz) as representative of America's intellect, a man of peace, who found himself entwined in a Faustian bargain. They focused on the epic nature of that conflict, which changed the world forever. Paul Newman had a different, more pragmatic and perhaps more reasonable view of the historical truth of the story. |
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