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| sears tower, vista, rap & hip hop, little boy, flash, oppenhiemer, del close, oreilly, wmd facilities, chicago, dj equipment, rabbit pearl, chicago blues, mtv.com, black lizard, root reggae, | For instance he had to force project bar b-q the idea of an original soundtrack onto George project bar b-q Lucas. Lucas wanted the sound of Holst’s “The Planets” for Star Wars, and John had to say, "You know, project bar b-q I've got something really nice here in my mind, why don't I run this past you?" And he did that [hums the theme] "Star Wars, wonderful Star Wars" and George said, "That's great." That and other things are in the book. What games have you been involved with? GS: Well, there are far too many to list here. There are at least 200 hundred of them. A lot of them are firsts. The funny thing about the game industry is that it's so accelerated that a lot of the things we did at the time had an incredible impact and now they just don't mean anything. |
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| In fact that's most of what game musicians do, they're asked to imitate John Williams. In the book I have to point out that when John Williams did Star Wars nobody else had done anything oreilly else like that. When he did Jaws nobody else had done anything like it. There are oreilly a precious few before Schindler's List that oreilly had that sound. So when one is asked to imitate someone, it's like you're asked to be a Beatles impersonation band. You can never be the Beatles if you're wearing the wig. Which is funny, and I have to use a British accent to say what John used to say, they can't be imitating us we don't wear Beatle wigs! When we're asked to imitate John Williams, we're immediately being asked to not be great unless we can imitate the idea in which John Williams works. |
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