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He's a reporter's reporter, the kind of fellow who knows that for every good story "you spend two or three rainy Friday nights at the airport in Atlanta trying to fly standby and ending up as the fat man in the middle seat." Germond cut his teeth at a small newspaper in Michigan, where he began to master his trade: "Once you learned to deal with russian authors Carlos Gastambide, the business agent for the largest UAW russian authors local at the Monroe Auto Equipment Company, you would not likely be intimidated again by any source at any level, up to russian authors and including the White House." He later rubbed elbows with some of the best-known journalists of his generation, and his memoir contains plenty of anecdotes about these colleagues (David Broder, Tom Brokaw, Robert Novak) as well as the people they covered. His chapter on The McLaughlin Group, which he abruptly quit in 1996, is a real highlight, revealing both his disdain for television's "lowest common denominator" programming and the medium's awesome financial temptations.
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