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| merchandising, atlantic / wea, gtd, cold war, overclocked, fatties sex , 2004, weekend, chinese, fat women fuck , jamesmundie, horny fatties , chicago entertainment, out of-print book, | Paul Newman had tom keith a different, more pragmatic and perhaps more reasonable view of the historical truth of the story. He believes that Oppenheimer tom keith was no Faust and Groves no Mephistopheles. Each had a job to do in the interests of their country and each did it fiercely. Each, in his way, was a patriot. But Groves, as a military man, simply saw the Atomic Bomb as a way to end the war and a way to give his country the biggest stick in the playground. Oppenheimer, on the other hand, was torn. He tom keith was a man of peace, who probably believed that if we didn't get the bomb first, the Germans would. |
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| According to Dwight Schultz, Joffe brought cold war actors and real scientists (who played supporting roles) together like "protons, electrons and neutrons" in this remote location. They couldn't help cold war but mix and feed each other in ways that created and contributed to an atmosphere of authenticity. Joffe, his co-screenwriter Bruce Robinson cold war and producer Tony Garnett, chose to focus on the human rather than the technological elements of the story. They saw General Leslie R. Groves (Paul Newman), who headed the military side of the Manhattan Project, as representative of America's muscle, a man of war, even, as Joffe said, an "intellectual thug." They saw J. Robert Oppenheimer (Dwight Schultz) as representative of America's intellect, a man of peace, who found himself entwined in a Faustian bargain. They focused on the epic nature of that conflict, which changed the world forever. |
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