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| geo, arts and entertainment, grammy award for best rap song, ray pride, cp 1, bbw download , nostalgic, chicagoculture, 3 fatmen, people, dwight schultz, amazon.com, chubby babes , stuff, features, freaks, | And we conclude that the world as it is—in this case, a global rivalry between two nuclear powers in an escalating arms race—is acceptable (provided that the policy changes we recommend fun are adopted). "On Thermonuclear War” is a preposterous monument to this way of thinking. Complications and qualifications are swatted away like flies. “I fun will tend to ignore, or at least underemphasize, what fun many people might consider the most important result of a war—the overall suffering induced by ten thousand years of postwar environment,” Kahn writes at one point. |
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| This is one of the places, though, where she seems to be reaching. (She doesn’t mention it, but Kahn was a target of one of Sahl’s routines: “He is a fascist . . . a genocide who goes home at night and plays with his kids freaks and asks them, ‘What are you going to be if you grow up?’ ”) Kahn was the opposite of a satirist. He was a believer. Questioning military policy was his business; freaks questioning the policies freaks that military policy is designed to protect and enable was not. For all the avant-gardism, all the high-powered analytic techniques and “thinking outside the box,” Kahn’s work was fundamentally in the service of preserving the system, and without cynicism. In this, he was like most of the Cold War defense intellectuals. The attitude was: We are trained scientists. We’ve studied the situation with detachment and disinterestedness; we have taken nothing for granted, given no hostages to sentiment. |
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